The webs won’t spin until they have a theme to guide them. Oscar-winning composer Michael Giacchino, who’s become the John Williams of our time as a go-to maestro for blockbusters (just check his IMDb list), is onboard for the Marvel hero’s reboot in Spider-Man: Homecoming, and Sony Classical Music has just released this First Listen Suite medley of Giacchino’s work for the movie.
Variations on the Main Theme can be heard at 1:20 and again at 5:00.
Spider-Man: Homecoming opens on July 7, 2017.
“Even the howl of the atheist is directed at the God they don’t acknowledge.”
This sentiment reflects the expansive thesis set by Josh Larsen, author of the new book “Movies Are Prayers: How Films Voice Our Deepest Longings.”
Larsen, co-host of Filmspotting (one of the most popular movie podcasts for over a decade), does not examine “Christian movies” or Faith-based cinema. Instead, the editor and film critic for ThinkChristian looks at the totality of cinema – from Hollywood classics to contemporary hits to all kinds of films in-between – to see how yearnings for God are expressed in the movies:
- “Movies can be many things: escapist experiences, historical artifacts, business ventures, and artistic expressions, to name a few. I’d like to suggest that they can also be prayers.”
His suggestion? Spiritual depth is so innate that it is inevitably expressed in art, including movies, even when a filmmaker doesn’t consciously intend to do so. The root of authentic artistic expression emerges from the spirit.
The book, published by InterVarsity Press, is available now in bookstores and online (Amazon link here).
To hear more from Larsen about what his new book explores, watch the videos below. To read his latest film reviews, visit Larsen On Film.
Want more insight into the best movie of the summer so far? This 15-minute featurette combines scenes, set footage, and in-depth interviews (director Patty Jenkins speaks with clear vision and passion) to not only reveal how Wonder Woman was made but, more importantly, the spirit and philosophy behind it.
To read my review, click here.
To read my essay on why this movie struck a chord with audiences, click here.
Every May, movie fans scour through the annual summer blockbuster previews to see what’s coming and what’s worth getting excited about. For funzies, here’s what people had to look forward to 25 years ago in the Summer of 1992. Not nearly as many sequels and franchises as we have today, and only one superhero movie! What a quaint time it was.
But it also included that year’s Academy Award winner for Best Picture, so there’s that.
Summer Movies of 1992
Click on any poster for a larger image gallery. Each image also includes the film’s release date and it’s final box office total. Posters are in order of release date.
May 15, 1992: LETHAL WEAPON 3 – $144.7 million total box office gross
May 22, 1992: FAR AND AWAY – $58.8 million total box office gross
May 22, 1992: ALIEN3 – $55.4 million total box office gross
May 22, 1992: ENCINO MAN – $40.6 million total box office gross
May 29, 1992: SISTER ACT – $139.6 million total box office gross
June 5, 1992: PATRIOT GAMES – $83.3 million total box office gross
June 5, 1992: CLASS ACT – $13.2 million total box office gross
June 12, 1992: HOUSESITTER – $58.5 million total box office gross
June 19, 1992: BATMAN RETURNS – $162.8 million total box office gross
June 26, 1992: UNLAWFUL ENTRY – $57.1 million total box office gross
July 1, 1992: A LEAGUE OF THEIR OWN – $107.5 million total box office gross
July 1, 1992: BOOMERANG – $70 million total box office gross
July 10, 1992: PRELUDE TO A KISS – $20 million total box office gross
July 10, 1992: COOL WORLD – $14.1 million total box office gross
July 17, 1992: HONEY, I BLEW UP THE KID! – $58.6 million total box office gross
July 17, 1992: A STRANGER AMONG US – $12.2 million total box office gross
July 31, 1992: BUFFY THE VAMPIRE SLAYER – $16.6 million total box office gross
July 31, 1992: DEATH BECOMES HER – $58.4 million total box office gross
July 31, 1992: ENCHANTED APRIL – $13.2 million total box office gross
August 7, 1992: UNFORGIVEN – $101.1 million total box office gross
August 7, 1992: 3 NINJAS – $29 million total box office gross
August 7, 1992: RAISING CAIN – $21.3 million total box office gross
August 7, 1992: WHISPERS IN THE DARK – $11.1 million total box office gross
August 14, 1992: STAY TUNED – $10.7 million total box office gross
August 28, 1992: HONEYMOON IN VEGAS – $35.2 million total box office gross
August 28, 1992: PET SEMATARY TWO – $17 million total box office gross
The Top 10 for Summer 1992:
- Batman Returns – $162.8 million
- Lethal Weapon 3 – $144.7 million
- Sister Act – $139.6 million
- A League of Their Own – $107.5 million
- Unforgiven – $101.1 million
- Patriot Games – $83.3 million
- Boomerang – $70 million
- Far and Away – $58.8 million
- Honey, I Blew Up The Kid! – $58.6 million
- Housesitter – – $58.5 million
Although the insanely hyped sequel Batman Returns won the summer, it ended up finishing 3rd for the year. The top two films of 1992: Aladdin was #1 with $217.3 million and, at #2 with $173.5 million, Home Alone 2: Lost in New York.
In some ways, this will probably have Star Wars diehards as geeked for the new movie as anything else. It’s the trailer for The Last Jedi re-imagined as a preview from 1983, and it’s sure to push all of the right nostalgia buttons. But it also (if unintentionally) shows how different filmmaking styles are today. Even with the perfect 80s-era imprints, the Last Jedi footage still looks like modern day filmmaking masked with old school textures. Nevertheless, it’s a fun little thing worth watching. Star Wars: The Last Jedi opens on December 16, 2017.
I’ve got a retro feeling about this. The unrepentant geeks at the YouTube channel JoBlo Videos have created a fully animated version of the first official trailer for Star Wars: The Last Jedi, all in OG Nintendo glory. May the bits be with you, always.
Lucasfilm has their fiction down to a science – or, at least, their marketing. This side-by-side comparison spliced together by The Playlist is impressively (or eerily) exact. I don’t know whether to be pumped or worried. For now, I’ll choose the former. Star Wars: The Last Jedi opens December 15, 2017.
UPDATE: The teaser for The Force Awakens as shown here never appeared in this editorial form or shot order. It has been cut together to specifically mirror the teaser of The Last Jedi in order to emphasize the recurring visual motifs of the trilogy. It’s an overarching creative approach – indeed, an autueristic one – that I fully support, as I discussed previously when I addressed some of the Force Awakens haters.